 Augusta Vinall RichardsonTides I & Tides II, 2020
Repurposed steel offcuts, steel sheeting, rust varnish |  Andre FrancoThe Revolution as Repetition toward Advancement and Spatial Constructs for Non-Spatial Data, 2019
Plexiglass, CasperTM
Cloaking Technology, MDF plinth, Compass Rotating display unit -
Technology, single channel video,video monitor, MDF plinth |  Andre FrancoSpatial Constructs for Non-Spatial Data (detail) |
---|
 Tia AnsellMoss (Musk), 2019
Cotton, linen, wool/silk weaving, ceramic tiles & grout in aluminium frame |  Tia AnsellAutumn (Glenlyon), 2019
Cotton, linen, wool/silk weaving, ceramic tiles & grout in
aluminium frame |  Olga Bennettscore for seventeen years you were so quiet (that I barely remember your voice or
any words you’ve spoken), 2019
Photograph |
---|
 Anatol Pitt,Collapsing Viewpoint 1 & 2, 2019
Photograph |  Trent CrawfordAnd it is still true, no matter how old you are, when you go out into the world it is
best to hold hands and stick together, 2020
HD video loop, LCD screen |  Sarah UjmaiaThe Palm as a Fertile Crescent, 2019
Stretched paper, staples, pastel, handmade
paper stained with pomegranate, earthenware, graphite |
---|
 Marlee McMahonIGrazie Roma, Dec, 2019
Pastel wall drawing |  Martin GeorgeMedley, 2019
Acrylic and pencil on canvas |  Grace BlakeOblique Cut Two Ways, 2018
PLA and Kodak metallic print, edition of 2 + 1 AP |
---|
 Casey JefferyPeace, 2019
Acrylic and oil on board |  Alexandra NemaricSick Green, 2020
Acrylic, chalk, pencil, burnt wood |
---|
Sounds of Pacing
Tia Ansell, Olga Bennett, Grace Blake, Trent Crawford,
Andre Franco, Martin George, Casey Jeffery, Marlee McMahon
Alexandra Nemaric, Anatol Pitt, Augusta Vinall Richardson & Sarah Ujmaia