Augusta Vinall Richardson

Augusta Vinall Richardson

Tides I & Tides II, 2020 Repurposed steel offcuts, steel sheeting, rust varnish

Andre Franco

Andre Franco

The Revolution as Repetition toward Advancement and Spatial Constructs for Non-Spatial Data, 2019 Plexiglass, CasperTM Cloaking Technology, MDF plinth, Compass Rotating display unit - Technology, single channel video,video monitor, MDF plinth

Andre Franco

Andre Franco

Spatial Constructs for Non-Spatial Data (detail)

Tia Ansell

Tia Ansell

Moss (Musk), 2019 Cotton, linen, wool/silk weaving, ceramic tiles & grout in aluminium frame

Tia Ansell

Tia Ansell

Autumn (Glenlyon), 2019 Cotton, linen, wool/silk weaving, ceramic tiles & grout in aluminium frame

Olga Bennett

Olga Bennett

score for seventeen years you were so quiet (that I barely remember your voice or any words you’ve spoken), 2019 Photograph

Anatol Pitt,

Anatol Pitt,

Collapsing Viewpoint 1 & 2, 2019 Photograph

Trent Crawford

Trent Crawford

And it is still true, no matter how old you are, when you go out into the world it is best to hold hands and stick together, 2020 HD video loop, LCD screen

Sarah Ujmaia

Sarah Ujmaia

The Palm as a Fertile Crescent, 2019 Stretched paper, staples, pastel, handmade paper stained with pomegranate, earthenware, graphite

Marlee McMahon

Marlee McMahon

IGrazie Roma, Dec, 2019 Pastel wall drawing

Martin George

Martin George

Medley, 2019 Acrylic and pencil on canvas

Grace Blake

Grace Blake

Oblique Cut Two Ways, 2018 PLA and Kodak metallic print, edition of 2 + 1 AP

Casey Jeffery

Casey Jeffery

Peace, 2019 Acrylic and oil on board

Alexandra Nemaric

Alexandra Nemaric

Sick Green, 2020 Acrylic, chalk, pencil, burnt wood

Sounds of Pacing

Tia Ansell, Olga Bennett, Grace Blake, Trent Crawford, 
Andre Franco, Martin George, Casey Jeffery, Marlee McMahon

Alexandra Nemaric, Anatol Pitt, Augusta Vinall Richardson & Sarah Ujmaia