Augusta Vinall Richardson, Tides I & Tides II, 2020

Augusta Vinall Richardson, Tides I & Tides II, 2020

Tia Ansell, Moss Musk, 2019

Tia Ansell, Moss Musk, 2019

Tia Ansell, Autumn Glenlyon, 2019

Tia Ansell, Autumn Glenlyon, 2019

Olga Bennett, score for seventeen years you were so quiet, 2019

Olga Bennett, score for seventeen years you were so quiet, 2019

Anatol Pitt, Collapsing Viewpoint 1 & 2, 2019

Anatol Pitt, Collapsing Viewpoint 1 & 2, 2019

Trent Crawford, And it is still true, no matter how old you are, when you go out into the world it i

Trent Crawford, And it is still true, no matter how old you are, when you go out into the world it i

Sarah Ujmaia, The Palm as a Fertile Crescent, 2019

Sarah Ujmaia, The Palm as a Fertile Crescent, 2019

Marlee McMahon, Grazie Roma, 2019

Marlee McMahon, Grazie Roma, 2019

Martin George, Medley, 2019

Martin George, Medley, 2019

Grace Blake,Oblique Cut Two Ways, 2018

Grace Blake,Oblique Cut Two Ways, 2018

Andre Franco, Front: Constructs for Non-Spatial Data Back: The Revolution as Repetition toward and C

Andre Franco, Front: Constructs for Non-Spatial Data Back: The Revolution as Repetition toward and C

Andre Franco, Constructs for Non-Spatial Data (detail)

Andre Franco, Constructs for Non-Spatial Data (detail)

Casey Jeffery, Peace, 2019

Casey Jeffery, Peace, 2019

Alexandra Nemaric, Sick Green, 2020

Alexandra Nemaric, Sick Green, 2020

Sounds of Pacing

Andre Franco

Anatol Pitt

Casey Jeffery

Tia Ansell

Alexandra Nemaric

Augusta Vinall Richardson

Grace Blake

Marlee McMahon

Martin George

Olga Bennett

Sarah Ujmaia

Trent Crawford